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Showing posts with the label writing a screenplay

When a Middle Fails a Beginning and End

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Maleficent , a new film starring Angelina Jolie , has a wonderful opening and a wonderful close, but the middle seriously sags. Why that happens speaks to a problem with story structure. The film opens with Jolie as a mythical creature and a young girl who watches over and protects the Moor, where other creatures like pixies roam. Humans occupy a nearby kingdom. Each mostly keep to their realm until a young man enters the Moor to steal a jewel and is caught by Jolie. They become friends, grow up together, and she falls in love with him. When the nearby king fails in an attack on the Moor, the young man uses Jolie's love for him to take her wings and get himself appointed king. This sets up a central question, will she get revenge? She curses the new king's daughter so that when she reaches 16, she will fall into a deep sleep that can only be woken from a kiss of true love. In this middle section, Maleficent watches over the girl, whom she clearly and deeply loves. As th...

Love in the Movies

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When you watch a film like Sleepless in Seattle , you know Ryan and Hanks will find and love each other. Just as easily, in six months they could go through the world's ugliest divorce. There's nothing in the film that really conveys they have intimate feelings for each other. Other Hollywood films might get the main characters into bed but they end up in the same place, two actors pretending to be in love because that's what they are being paid to do. Then along comes Only Lovers Left Alive , a film by Jim Jarmusch. To get this out of the way, I love his films, and the way they ask me to think and experience what I see on the screen. What Lovers also conveys through its two main characters is what an intimate relationship between two loving, sexual adults looks like. Watching the film I believed these two characters love each other. I don't often see this in films, partly I suspect because there aren't many actresses of the caliber of Tilda Swinton. The last...

Why Transcendence Fails to Transcend

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Big budget Hollywood films that fail to find an audience often offer lessons in storytelling. Transcendence is an example. In most successful films, a main character embodies a story's promise (what the story is about) and that character experiences narrative tension around the course and outcome of the story. Transcendence violates this by starting with the aftermath of what's happened in the film with a major, but secondary character. This sets up a plot question, what happened to create the world we see in the opening scene? We then meet Johnny Depp in the present. He's a scientist working to create a singularity, an artificial, highly intelligent computer system that has the potential to evolve rapidly. But Depp is soon shot and dies, and his consciousness is uploaded into a computer. This takes 25 minutes. The action is slow and the settings mostly dark. Main character #3 is kidnapped to force him to help shut down the new version of Depp, and he experiences narrat...