Thursday, March 26, 2020

Using a Mystery to Explore Race

Using a Mystery to Explore Race


Review by Bill Johnson

Cover of Allen Esken's novel Nothing More Dangerous.
Allen Esken's novel Nothing More Dangerous is set in the Ozarks in the early 70s. The main character is Boady, a 15 year old boy raised by a poor mother. Boady attends a nearby Catholic high school on a scholarship, but has no friends in a new school. His dream in life is to save enough money to flee his small town at 16.
The initial thrust of the plot is that Boady hears the story of Lida Poe, a divorced colored woman accused of stealing money from the local manufacturing plant before disappearing. What happened is a clearly defined plot question.

That same day, Boady overhears three seniors talking about dumping some pudding on the one colored freshman girl in the school. On an impulse, Boady trips the senior with the pudding and races away, managing to avoid a beat down in the moment. But he can't avoid the bullies before summer recess, and the leader makes him an offer.

An African-American family is moving in to an old mansion across the gravel road from Boady's house. The father will be a new manager at the local plant.

If Boady spray paints a racial slur on the new home, he will avoid a beating.

Boady agrees so he can get away, but then finds his new neighbors have a son his age. The two become friends, and Boady discovers his casual use of racial language offends.

When the boys go out camping, they find a building in the woods where a racist group called CORPS meets. Close by, Boady's dog finds the hand of Lida Poe sticking out from a shallow grave.

The title of the book is revealed. It is based on part of a quote by Martin Luther King Jr. that there is nothing more dangerous than racists finding each other and organizing.

Boady expects the revelation that Lida Poe died and didn't flee with embezzled funds will get him on the news. Instead, the local sheriff casually destroys evidence and refuses to follow up leads on who embezzled the money if Lida Poe didn't.

It turns out a leader of CORPS initiated a relationship with Lida Poe and induced her to embezzle, and then had her killed by his son as his initiation into becoming a full member of CORPS.

To keep details of the theft from coming out, a closeted gay man who works with Boady's mother has his house burned down.

With the help of a kind neighbor who has watched out for Boady and his mother, the killer of Lida Poe pays for his crimes.

Nothing More Dangerous explores how racism can be rooted in a small community.

There is never an attempt to call attention to Boady's transformation from small town lad who accepts the racial divide in his town to someone who becomes part of breaking down that division.

Influenced by his friend, Boady decides he will go to college.

The readers of the Allen Esken's novel share Boady's journey, a journey woven into the fabric of the story.

On a personal note, when I was 40, I took a girlfriend to meet my parents. She asked a question about a woman in a family photo album. It turned out my father had been married to an African-American woman before he married my mother. I never knew until that day.


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Sunday, March 1, 2020

Willamette Writers PDX Chapter Hosts Grant Rosenberg

Join Willamette Writers Portland chapter for a look behind the scenes with leading entertainment industry professional, Grant Rosenberg, on March 3rd. Doors open at 6:30PM.

Grant Rosenberg has been involved in television and feature film development and production for the past forty years. The first part of his career was spent as an executive at NBC, Paramount Television and The Walt Disney Studios. In the second part of his career, Grant transitioned to hands-on writing and producing.

This promises to be an evening you won't forget -- with insider tips and a deep dive into the world of production. And if you can't get enough, you can join us after the event at McMenamin's to network and connect with your community.

Grant has spent the past 25 years as a writer/show runner on international co-productions. His credits include STAR TREK: TNG, MACGYER, POLTERGEIST: THE LEGACY, THE OUTER LIMITS, EUREKA, LOST GIRL, BITTEN and OLYMPUS.

Meetings are normally held the first Tuesday of each month at the First Congregational Church at 1126 SW Park Ave, Portland, OR 97205. Monthly meetings are open to all writers 18 and older. Members attend for free.

Monthly meetings at all the chapters are free for members of Willamette Writers. Fee for nonmembers to attend meetings at the Portland chapter meetings is $5 (suggested donation). For information about Willamette Writers chapters in Vancouver, Salem, Corvallis, Eugene, Newport, and Medford, visit http://willamettewriters.org/events/category/monthly-meetings/list/

Thursday, February 13, 2020

Bill Johnson Play Performed in Dubai Short + Sweet Festival



Nikhil Mittal is with Zille Rehman and 2 others at The Junction.
 
Putting up “Heavenly Birth Insurance” on stage has been a learning experience like no other.
Thank u
Bill Johnson
for the beautiful script. It was exciting, enriching & challenging to bring your story to stage.
Thanks a lot to my actors
Zille Rehman
&
Shital Adesara Gusani
for believing in my vision and having faith and patience as we worked on it as a team giving it our all. We all pushed our boundaries and worked outside our comfort zone. You guys have been just awesome #GODBless
 
Thanks to everyone who gave us their feedback and boosted our confidence and morale.
@shortnsweetdxb #Theatre #DubaiTheatre
 



Bill Johnson's play Heavenly Birth Insurance will be presented by Emotive Artz at Short + Sweet Dubai, 21st & 22nd Feb 2020 at 7:30pm at the Junction in AlSerkal Avenue. Directed by Nikhil Mittal, instagram.com/emotiveartz/




Monday, January 6, 2020

PDX Playwrights News 1/6/2020

Kick off the new year with the reading of saucy new comedy!
 
JANUARY 7, 2020
KINK - by Matt Garland
 
In this musical, a group of techies are assembled for a project. After work, they get acquainted at a club. When the dancers at the club pull them into drunken improv, connections are made and kinks explored. But can everyone’s kinks be aligned? And can the project withstand the turbulence?
This session is scheduled at the conference room of Portland Center Stage at The Armory, 128 NW 11th Ave.
 
UPCOMING EVENTS
 
NOTE: After the initial meeting January 7, no Third Tuesday meeting is scheduled in January, as PDX Playwrights will be preparing for, participating in, and celebrating at the Fertile Ground Festival of New Works. Our next regular session is slated for Tuesday, February 4, once the festival is underway. Meanwhile, we welcome comments from PDXP participants and festival attendees about the festival, directed to info@pdxplaywrights.org.
 
JANUARY 30 – FEBRUARY 9, 2019
 
PDX Playwrights in the Fertile Ground Festival of New Works
The plethora of PDXPlaywrights offerings in the Fertile Ground Festival of New Works may be seen on our website at pdxplaywrights.org and as part of festival listings. Please join us, support your fellow theater-makers, and find inspiration in these acts of creation!
 
FEBRUARY 4, 2020
MOSCOW/MOCKBA - by Emma Rye and Olivia MacFadden-Elliott
 
An updated draft of the play presented by PDX Playwrights in the 2019 Fertile Ground Festival: Three Russian expats are grieving the passing of their father, and making the most of their circumstances in Northern Idaho. Olga, the oldest, is micro-managing the affairs of her younger sisters, desperate to have a moment to herself. A stranger from their Russian past appears on the scene to distract Marina from her doof of a husband. Inessa is finally living with her "best friend" Nataly, but it's not all roses and sunshine.  Inspired by Anton Chekhov's Three Sisters as a modern take on a parlor classic.

MORE ABOUT US
 
PDX Playwrights is a group for playwrights who want to meet, hear their scripts read aloud, and share feedback.
 
Typically we have more than 15 people at each meeting: playwrights, actors, and friends. Plays are read aloud by whomever is at the table that night, or sometimes by actors selected in advance. We encourage you to attend our regular meetings even if you aren't bringing a play. New readers are welcome, but please do let us know with an email RSVP to info@pdxplaywrights.org if you are planning to attend, as space is limited.
 
Regular meetings
First and Third Tuesdays (and Fifth Tuesdays, if applicable)
7 to 9 p.m.
 
The location for the January 7 meeting is in Portland Center Stage at The Armory, 128 NW 11th Ave.
 
An RSVP to info@pdxplaywrights.org is appreciated. Please arrive by 7 p.m. Check our site (pdxplaywrights.org) for updated information.
 
Free - a hat is passed for optional donations to cover expenses.
 
Thank you. We look forward to seeing you.